Why What I Write Never Turns Out the Way I’d Like
Have you ever wondered why the brilliant ideas bubbling in your mind transform into something completely different when you transfer them to paper? That moment of frustration when you contemplate your work and feel it doesn’t remotely reflect what you imagined is one of the biggest challenges we face as artists and content creators.
This disconnection between our mental vision and the final result doesn’t just affect writers, but also illustrators, comic artists, and visual artists across all disciplines. It’s a universal phenomenon that has tormented creators since time immemorial, and continues to be one of the most complex barriers to overcome on the path to artistic mastery.
In this article, we’ll explore the reasons behind this frustrating creative gap, offer perspectives to transform this apparent limitation into an opportunity for growth, and share practical strategies that will help you bring your creations closer to that ideal vision you pursue. Get ready for a journey of creative self-discovery that will forever change your relationship with your art.
The Mirage of Perfection: When Idealization Becomes Your Biggest Obstacle
The human mind is a marvel of imagination. In a matter of seconds, it can create entire worlds, complex characters, and scenes worthy of the best cinematic productions. However, this same capacity for unlimited fantasy can become our worst enemy when we face the blank canvas.
Excessively idealizing our creations before materializing them establishes expectations that are practically impossible to achieve. This happens because in our minds, ideas exist in a state of abstract perfection, free from the technical, temporal, and material limitations involved in their execution in the real world.
In the realm of illustration, for example, we can visualize a scene with minute details, perfect lighting, and facial expressions that convey complex emotions. However, when trying to capture it on paper or digitally, we encounter constraints inherent to our current technical skills, the medium used, or simply the time available to complete the work.
The same happens with writing. You have an idea for a story or comic script that seems brilliant in your head. Perhaps you can even visualize specific dialogues and dynamic scenes that flow perfectly in your imagination. Naturally, you assume that the real challenge lies in conceiving these ideas, not in writing or drawing them. After all, a good story is one that’s well thought out, right?
This belief is dangerously misleading. A good story, illustration, or comic doesn’t just need to be conceived, but effectively created using available tools. Written language, however rich it may be, presents limitations when trying to capture the complexity of our thoughts. Similarly, the lines, colors, and compositions we use in drawing can never exactly reproduce what our mind has visualized.
This discrepancy should not be seen as a failure, but as an inherent reality of the creative process. Would you like to discover how to bridge the gap between imagination and execution in your illustrations? Explore practical and proven methods here that will help you materialize your ideas with greater precision and satisfaction.
When we accept that materializing an idea inevitably transforms it, we can begin to appreciate this transformation as part of the creative process, not as an unwanted deviation. Limitations then become catalysts for innovative solutions and unexpected results that can enrich our original work in ways we never would have imagined.
Ultimately, learning to manage our expectations doesn’t mean giving up on excellence, but establishing realistic goals that allow us to improve progressively, celebrating each small advance instead of flagellating ourselves for not achieving an imaginary perfection that, ironically, would lose its magic if it could be captured with absolute precision.
The Creative Journey: Discovering the Value of Process in Every Stroke
One of the greatest revelations we experience as artists is understanding that creating is not a singular act, but a complex process composed of multiple interconnected stages. This applies to writers as well as illustrators, comic artists, and visual creators in all fields.
The creative process begins long before the pencil touches the paper or fingers type the first word. It starts with that spark of inspiration, that moment where an idea begins to take shape in our mind. Then comes the incubation stage, where the idea slowly germinates, nourished by our experiences, knowledge, and creative references accumulated over the years.
For visual artists, this phase often manifests in preliminary sketches, composition studies, and style exploration. Writers, meanwhile, may develop mind maps, narrative outlines, or notes about characters and settings. These preparation tools are fundamental, as they build a bridge between mental abstraction and practical execution.
The creation stage itself—whether writing a script or drawing a sequence of panels—represents only a fraction of the complete journey. It’s here where many novice creators experience their first great disappointment, discovering that what they’re producing is considerably different from their original vision. However, professionals know that this discrepancy is normal and even necessary.
What truly distinguishes an amateur artist from an experienced one is not the absence of this gap, but the understanding that after this comes one of the most crucial phases: revision and refinement. It’s at this point where true art takes shape. Corrections are not evidence of failure, but opportunities to bring our work closer to its maximum potential.
A professional comic artist rarely publishes their first drafts. Behind every impeccable page are numerous previous versions, anatomy corrections, perspective adjustments, and refinements of facial expressions. Similarly, texts published by recognized authors have gone through multiple revisions, where each word has been carefully selected and each phrase polished until achieving the desired clarity and impact.
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It’s essential to understand that correction is not simply a technical process, but also an exercise in artistic self-knowledge. As we evaluate our work, we identify recurring patterns, discover our natural strengths, and recognize areas that require more attention. This honest feedback is invaluable for our creative development.
Additionally, the time invested in reviewing and refining a work often far exceeds that dedicated to its initial version. This reality can be discouraging for those just starting out, but understanding it from the beginning frees us from unrealistic expectations and allows us to genuinely enjoy each stage of the process.
Correction also represents a moment of intensive learning. By identifying specific problems in our work and seeking solutions, we are actively participating in our continuous training. Each adjustment of perspective in a drawing, each rewrite of a dialogue to make it more natural, each refinement in the color palette of an illustration makes us more aware of our creative decisions and more skilled in the execution of future works.
Therefore, instead of lamenting the difference between what’s imagined and what’s created, we can celebrate this transformation as an integral part of the artistic process. Intermediate versions, far from being failures, constitute necessary steps toward the definitive version, each with its own learnings and discoveries.
The Creative Muscle: Strengthening Your Skills Through Consistent Practice
There’s a revealing metaphor that compares artistic skills to muscles: both require regular exercise, gradually increase their capacity, and can atrophy from lack of use. This analogy, though simple, contains a profound truth about the development of any creative skill, whether drawing, writing, or visual storytelling.
The “gymnastics of creating” involves systematically training our ability to shape our ideas. Although when writing or drawing we don’t experience physical muscle fatigue (except perhaps some hand cramps after intense sessions), our brain and technical skills are undergoing rigorous training.
This training operates on multiple levels. At the neurological level, each time we draw a line or compose a phrase, we’re strengthening specific synaptic connections. With repetition, these neural pathways become more efficient, allowing us to execute the same actions with greater precision and less conscious effort. This is why an experienced illustrator can capture a complex expression with a few confident strokes, while a beginner needs numerous attempts and corrections to achieve a similar result.
Technical development follows a similar pattern. With each completed project, each sketch made or text written, we expand our repertoire of expressive resources. An artist who has consistently studied and practiced human anatomy will be able to represent characters in dynamic poses without reference, while a writer who has carefully analyzed different narrative structures will be able to construct more solid and satisfying stories.
Regular practice not only improves our technical capabilities but also refines our perception. Illustrators develop a special sensitivity to detect subtle variations in light, form, and color. Writers, meanwhile, cultivate an internal ear for the rhythm of phrases and the cadence of dialogue. These refined perceptions allow us to identify with greater precision what works and what needs adjustment in our creations.
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Consistency is absolutely crucial in this process. Studies on skill development suggest that spaced but regular practice produces better results than occasional intensive sessions. Dedicating 30 minutes daily to drawing for a year will produce much more significant progress than concentrating the same hours in sporadic periods of frantic activity followed by long intervals of inactivity.
It’s important to highlight that not all practice is equally effective. “Deliberate practice,” a concept developed by psychologist Anders Ericsson, involves working specifically on aspects that are most challenging for us, receiving regular feedback, and continuously adjusting our methods based on results. For an illustrator, this might mean dedicating additional time to studying perspective if environmental scenes represent a weak point. For a comic writer, it might involve focusing on narrative economy if their scripts tend to be excessively verbose.
As we gain experience, we also develop a more refined artistic intuition. Decisions that initially required conscious analysis—such as what color palette to use for a night scene or how to structure a dialogue to generate tension—gradually become instinctive. This intuition isn’t magical; it’s the cumulative result of thousands of hours observing, practicing, and evaluating results.
One of the most valuable benefits of this sustained training is reducing the gap between our internal vision and our execution capability. Over time, we not only improve technically but also learn to conceive ideas that are more aligned with our current capabilities, establishing challenging but achievable goals that allow us to continue growing without falling into paralyzing frustration.
It’s reassuring to know that even the great masters of illustration and narrative began by facing this same disparity between their ambitions and their skills. The difference lies in that they persevered through the inevitable phase of mismatch, trusting that consistent practice would eventually narrow that gap.
Practical Strategies to Reduce the Gap Between Vision and Execution
Although the discrepancy between what we imagine and what we create never completely disappears (even the most experienced artists experience it), there are concrete strategies that can help us reduce it significantly. Implementing these techniques consistently will not only improve the quality of our work but also fundamentally transform our relationship with the creative process.
1. Develop an Expansive Reference System
One reason why we find it difficult to materialize our ideas is that they are often amalgams of vaguely defined concepts in our mind. Building an organized system of visual or narrative references provides concrete anchors for our creations.
For illustrators and comic artists, this means compiling libraries of images classified by categories: anatomy, facial expressions, settings, lighting effects, dynamic poses, etc. References are not crutches for weak artists, as is sometimes misinterpreted, but professional tools used even by the most accomplished masters.
Writers can benefit from collections of effective dialogues, evocative descriptions, or narrative structures that resonate with them. Analyzing how other creators have solved similar problems provides a valuable starting point.
2. Deconstruct Your Goals into Manageable Components
Ambitious visions can be overwhelming when confronted as a whole. Breaking down complex projects into smaller, more defined components allows us to approach them more effectively.
For example, instead of setting out to “draw an impressive urban scene,” you can divide the goal into specific tasks: studying architectural perspective, practicing drawing crowds at different distances, exploring urban lighting techniques, etc. Each of these components can be approached as a mini-project with its own learning objectives.
This strategy not only makes the work more manageable but also allows us to celebrate small victories along the way, keeping our motivation high.
3. Implement Structured Feedback Cycles
Artistic development accelerates dramatically when we establish systems to evaluate our work objectively. Instead of relying solely on our subjective perception (“I like it” or “I don’t like it”), we can create specific criteria to analyze different aspects of our creations.
For an illustrator, these criteria might include: anatomical coherence, composition effectiveness, contrast management, character expressiveness, etc. For a comic writer: narrative clarity, story rhythm, dialogue naturalness, effectiveness of transitions between scenes.
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In addition to self-evaluation, seeking comments from mentors, colleagues, or creative communities can provide valuable perspectives that we couldn’t obtain by ourselves. The key is to request specific feedback, not general validation.
4. Adopt a Conscious Iterative Approach
Instead of aspiring to perfection on the first attempt, we can consciously embrace an iterative approach where each version of our work represents one more step toward our vision, not a final product.
Illustration and comic professionals often work through multiple defined stages: preliminary sketches, composition refinement, detailed drawing, inking, coloring. Each phase has its own objectives and success criteria.
This approach frees us from perfectionist paralysis and allows us to move forward with the certainty that there will always be an opportunity to refine our work in later stages.
5. Practice Reflective Documentation
Keeping a record of our creative process, including decisions made, problems encountered, and solutions implemented, provides invaluable data for our artistic growth.
An annotated sketchbook, a writing journal, or even a digital folder where we keep different versions of our projects with explanatory notes can reveal patterns in our work that would otherwise go unnoticed.
This practice not only helps us identify areas for improvement but also documents our progress over time, providing concrete evidence of our development when impostor syndrome threatens to undermine our confidence.
6. Cultivate Strategic Patience
Perhaps the most important strategy is to cultivate a patient but proactive relationship with our artistic development. Recognizing that creative skills evolve over years, not days, allows us to establish realistic expectations while maintaining a firm commitment to continuous improvement.
This patience doesn’t imply passivity, but a strategic approach where each project, each practice session, and each creative experiment is understood as part of a broader journey toward mastery.
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Implementing these strategies consistently will not only improve the technical quality of our work but will fundamentally transform our relationship with the creative process. The gap between vision and execution will shift from being a source of paralyzing frustration to becoming a productive space where true artistic growth occurs.
The Unexpected Value of “Creative Imperfection”
There exists a fascinating paradox in artistic creation: often, the “imperfections” and unplanned deviations from our original vision are precisely what makes our work unique, memorable, and authentically ours. This reality, counterintuitive for many beginning creators, is widely recognized by experienced artists in all fields.
Technical limitations, far from being obstacles that must be overcome, can become distinctive features that define our personal style. The history of art and narrative is replete with examples where what might initially be considered a technical deficiency transformed into an expressive innovation.
Consider the art of Jean-Michel Basquiat, whose seemingly “raw” and “unrefined” approach revolutionized the world of contemporary art. Or think about Bill Watterson’s drawing style in “Calvin and Hobbes,” where expressiveness and dynamism take precedence over strict anatomical realism. These creators didn’t achieve recognition despite their deviations from conventional standards, but precisely because of them.
In the field of storytelling, the unexpected turns that arise during the writing process—when characters seem to “take on a life of their own” and take the story in unplanned directions—often produce more organic and convincing results than rigidly predetermined plots. These moments of creative discovery are impossible to plan in advance, as they emerge specifically from the act of creating.
There is also a peculiar appeal in work that shows evidence of the human hand that created it. In an era where technical perfection is increasingly accessible through digital tools and AI-assisted processes, small irregularities and personal idiosyncrasies acquire special value. Controlled imperfections communicate authenticity and establish a more intimate connection with the viewer or reader.
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Additionally, there is a psychological phenomenon known as the “uncanny valley” which suggests that representations that come too close to perfection without fully achieving it can be strangely disturbing. Many illustrators and animators have discovered that deliberately stylized work often connects better with the audience than a failed attempt at hyperrealism.
Embracing this “creative imperfection” doesn’t mean abandoning the pursuit of technical excellence, but recognizing that the ultimate goal of art is not the exact reproduction of a predetermined mental vision, but the creation of something that resonates with other human beings. Sometimes, the qualities that make our work resonate emerge precisely from the ways it deviates from our initial intentions.
This perspective enormously liberates creators. Instead of seeing each deviation from our original vision as a failure, we can approach them with curiosity: “What’s here that I hadn’t planned but might be valuable?” This receptive attitude transforms the creative process from a frustrated struggle against limitations to a collaborative exploration between our initial vision and the emerging possibilities that arise during execution.
The great masters of visual art and narrative are not those who reproduce their mental visualizations with photographic precision, but those who have learned to navigate fluidly between intention and discovery, using each to enrich the other in a constant creative dialogue.
Beyond Frustration: Transforming Your Relationship with Creation
The frustration we experience when our creations don’t match our internal vision can be deeply discouraging. However, transforming our relationship with this inevitable reality of the creative process can not only improve our mental health as artists but also significantly enrich the quality of our work.
A fundamental shift consists of moving our attention from the final result toward the process of creation itself. When we value the act of creating for its own sake—the discoveries we make, the skills we develop, the joy of expression—the pressure to produce “perfect” works considerably diminishes.
Adopting this mindset doesn’t mean giving up artistic ambition, but anchoring it in more sustainable motivations. Instead of exclusively pursuing external validation or the exact replication of our vision, we can find satisfaction in the progressive mastery of our craft and in authentic communication with our audience.
Professional artists with long careers often share this process-oriented approach. They don’t see their individual creations as defining their artistic worth, but as specific moments in a continuum of creative exploration that spans a lifetime. This perspective allows them to take risks, experiment with new approaches, and learn from the results without their artistic identity being threatened.
Another valuable transformation involves cultivating a collaborative relationship, not one of domination, with our work. Instead of trying to force our creations to conform exactly to our initial vision, we can approach them as semi-autonomous entities with which we are in dialogue.
This collaborative mindset allows us to respond with flexibility to what emerges during the creative process. A comic writer who discovers that a secondary character turns out to be more interesting than anticipated can allow themselves to explore this possibility, even if it diverts the narrative from their original plan. An illustrator might notice that an accidental color combination produces an intriguing effect and decide to deliberately incorporate it, even though it wasn’t part of their initial concept.
Perfectionism, a particular villain in this story, deserves special attention. The pursuit of perfection is not inherently negative—it can motivate us to elevate our standards and refine our work. However, when perfectionism paralyzes us or prevents us from sharing our work with the world, it becomes an obstacle to our artistic development.
Establishing high but realistic standards requires a delicate balance. We must constantly challenge our current abilities without setting impossible expectations. An effective strategy is to define specific improvement goals for each project (“In this illustration, I’ll focus especially on improving hand anatomy” or “In this script, I’ll work on creating more natural dialogues”), instead of aspiring to universal perfection.
It’s also liberating to recognize that our judgment about our own work is often unreliable. The phenomenon of “perceptual fatigue,” where we lose objectivity after working intensely on a project, affects all creators. What seems terribly flawed to us after hours of scrutiny may appear completely acceptable—even exceptional—to fresh eyes.
Creating conscious rituals to mark the completion of projects can help us avoid the endless cycle of revisions that perfectionism often triggers. These rituals—whether sharing the work with a trusted group, establishing strict deadlines, or simply formally declaring a project complete—allow us to move toward new creative challenges instead of remaining perpetually trapped in the refinement phase.
Finally, cultivating a supportive creative community provides both perspective and encouragement when the gap between vision and execution demoralizes us. Discovering that even the creators we admire face the same struggles normalizes our experience and reminds us that we are not alone on this journey.
Bringing Your Visions to Life: The Path to Full Artistic Expression
The disparity between what we imagine and what we create is not a temporary obstacle that we will eventually completely overcome, but a permanent condition of the creative process with which we will learn to coexist productively. However, the strategies and perspectives we’ve explored in this article can significantly transform our relationship with this reality, allowing us to create works that, while never exact replicas of our visions, can capture their essence in increasingly satisfying ways.
The journey toward full artistic expression is not a fixed destination but an ever-expanding horizon. As our technical skills develop, our creative vision also evolves, posing new challenges and possibilities. This cycle of simultaneous growth ensures that the creative process remains dynamic and stimulating throughout our artistic life.
Let’s remember that the ability to materialize our ideas is not an innate and fixed talent, but a skill we can consciously cultivate. Each sketch, draft, or completed project contributes to our development, even (and especially) when it doesn’t meet our initial expectations. Creative “failures,” viewed correctly, are simply valuable data that inform our next steps.
The true power of our creativity doesn’t reside in the ability to exactly reproduce our mental visualizations, but in our skill to establish a fruitful dialogue between the imagined and the possible, between our internal vision and the realities of the medium with which we work. It’s in this intermediate space where the true magic of art happens.
Perhaps the most significant indicator of artistic maturity is not technical perfection or conceptual originality, but the ability to genuinely enjoy the creative process itself—with all its surprises, discoveries, and unexpected challenges. When we find joy not only in imagining great works but in the very act of creating them, with all their imperfections and discoveries, we have achieved a truly sustainable relationship with our artistic practice.
Ultimately, the purpose of mastering our craft is not to eliminate the gap between the imagined and the created, but to learn to navigate this gap with grace, curiosity, and resilience. It’s in this seemingly problematic space where our most authentic artistic voices emerge, where our limitations transform into stylistic distinctions, and where art that genuinely impacts others comes to life.
We invite you to see each project not as a definitive test of your artistic ability, but as an ongoing conversation between your creative vision and your developing craft. With each line you draw, each phrase you write, each composition you create, you are participating in this conversation in a more articulate and satisfying way.
The next time you find yourself frustrated because your creation doesn’t match your vision, remember that this tension is not an obstacle to overcome but the very space where authentic creation occurs. Take the next step in your artistic evolution: discover specialized resources that will enhance your creative capabilities and allow you to express your unique vision with greater confidence and precision.
The journey continues, and each stroke brings you a little closer to the fullest and most expressive version of your art. The gap between the imagined and the created will never completely disappear, but over time, you’ll stop seeing it as a frustrating abyss and begin to appreciate it as the fertile space where your unique creativity flourishes.